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[转帖] 5★冷门 -【Brilliant】霍尔特(1923-2012) 旋律音型XXL(4CDs)

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发表于 2018-1-9 22:11:06 | 显示全部楼层 |阅读模式
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5★冷门 -【Brilliant】霍尔特(1923-2012) 旋律音型XXL(4CDs)

Simeon Ten Holt: Canto Ostinato XXL for four pianos & organ (Box set)

Composer: Simeon Ten Holt (1923-2012) 西蒙·特恩·霍尔特 (http://www.simeontenholt.com/)
Artists: Sandra & Jeroen van Veen, piano duo
            Marcel & Elizabeth Bergmann, piano duo
            Aart Bergwerff, organ
Audio CD (October 28, 2014)
Number of Discs: 4
Format: Box set
Label: Brilliant Classics (www.brilliantclassics.com)
No.: 94990


ostinato
n.〈音〉固定音型(指不断反复的节奏型或旋律型)
固定音型(ostinato): 在作品中持续重复的短小音型。
固定音型(ostinato): 重复的音型, 通常位于低音部分, 可为上面和谐优美的变奏奠定基础。与基础低音相似。


旋律音型(Canto Ostinato)是荷兰简约音乐大师西蒙·特恩·霍尔特(Simeon ten Holt, 1923-2012)的代表作。

这首乐曲可由两到四架钢琴演奏,全曲由上百个可随意选择的简单乐段组成,演奏时相同乐段在反复重复中缓慢演变。重复次数可多可少,因此演奏时间可由两小时到长达一天。


Simeon ten Holt (24 January 1923 – 25 November 2012) was a Dutch contemporary classical composer.

Ten Holt was born in Bergen, North Holland, the Netherlands, and studied with Jakob van Domselaer, eventually developing a highly personal style of minimal composition. Van Domselaer's influence on ten Holt's musical philosophy was considerable, with the younger composer picking up van Domselaer's interests in the links between music and visual art, in music's relationship with mathematics, and in the use of the piano as a principal instrument in his compositions.

Ten Holt generally used consonant, tonal materials and his works are organized in numerous cells, made up of a few measures each, which are repeated ad libitum according to the player's preference. Many of his works are for piano or ensembles of multiple pianos. His most famous work is Canto Ostinato, which he wrote in 1976 and is considered one of the most famous works in contemporary classical Dutch music history.

Ten Holt died 25 November 2012 in Alkmaar, the Netherlands, aged 89.[1]


Emergence in minimalism
http://www.simeontenholt.com/

Although Simeon ten Holt’s music is often categorized under the Minimal Music banner, the question is whether this characterization captures the true nature of his composing talent. Although the minimalist inspiration is undoubtedly present in all of his piano compositions, the distinctive feature is not so much the rhythmic and tonal structure which is so typical for this style, but much more the evolutionary space which his music actually creates for the players performing his music.

Simeon’s compositions are not just single works, but rather a collection of an infinite number of compositions, all hidden in a single written code. Like a multitude of images hidden in a holographic photographic image, the script outlines a solution space in which actual shape and form will develop in time towards its full extent and depth. Every performance is therefore unique, yet recognizable as a part of the larger collection. Like life itself, it emerges and takes shape in a complex interaction between the genotypes as a code in the score and the context of performers and audience. This evolutionary and interactive characteristic distinguishes the music from the mainstream minimal music and gives it a special position within this type of compositions. Whereas the minimal music is essentially a modernist, constructive style, Simeon’s music is better characterized as post-modernist and organic in nature.

The success of this music might be explained with this characteristic in mind, as it connects with audiences on an emotional level, taking them on a, every time unique, journey through a musical space. Adventurous but not unsafe, challenging but not beyond the stretch limit, uncharted but not random.

Ton van Asseldonk
Simeon ten Holt Foundation


Editorial Reviews

Brilliant Classics follow-up to Canto Ostinato XL, Canto Ostinato XXL, brings a new perspective to Simeon ten Holts minimalist composition by adding a Romantic organ to the works original scoring for four pianos a combination never before attempted. Recorded over the course of just one day, this four disc, four-hour arrangement slows the tempo down a little, in order to accommodate the magnificent acoustics of the Muziekgebouw Eindhoven. Joining organist Aaart Bergwerff and Sandra and Jeroen van Veen are acclaimed piano duo Elizabeth and Marcel Bergmann.


Tracks:

Simeon Ten Holt: Canto Ostinato XXL for four pianos & organ (1976-1979)

CD1:

1-8. Section 1 - Section 37

TT: 63'24

CD2:

1-8. Section 37 - Section 88

TT: 63'51

CD3:

1-8. Section 88A - Section 91A

TT: 60'34

CD4:

1-8. Section 91A - Section 106

TT: 61'06
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发表于 2018-1-9 22:12:43 | 显示全部楼层
多谢楼主连续分享冷门音乐作品!
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发表于 2018-1-10 00:15:50 | 显示全部楼层
学习了。感谢楼主!
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发表于 2018-1-10 11:16:06 | 显示全部楼层
很难得一见的现代作品。谢谢分享!
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发表于 2018-1-10 12:47:20 | 显示全部楼层
谢谢楼主分享这么多的冷门音乐。
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发表于 2018-1-10 13:53:54 | 显示全部楼层
谢谢分享冷门音乐
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发表于 2018-1-10 14:32:43 | 显示全部楼层
这个比较新鲜,下了听听,谢谢!
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发表于 2018-1-10 14:42:17 | 显示全部楼层
冷门不停遏
谢谢分享
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 成长值: 10195

发表于 2018-1-10 15:42:30 | 显示全部楼层

谢谢楼主分享这么多的冷门音乐。
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发表于 2018-1-10 19:49:53 | 显示全部楼层
感谢分享冷门音源 下载收藏 辛苦了
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发表于 2018-1-11 14:05:33 | 显示全部楼层
霍尔特(1923-2012) 旋律音型XXL
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发表于 2018-1-11 16:13:44 | 显示全部楼层
谢谢楼主分享冷门音乐作品!
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发表于 2018-1-11 18:37:38 | 显示全部楼层
很喜欢封面魔方设计。
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发表于 2018-1-12 13:34:18 | 显示全部楼层
THANKS FOR SARMGH
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